Artist Statement
The relief in itself, as a format is a meeting place between the two dimensional and the three dimensional realm, and yet my sculptural endeavors took a drastic turn when I decided to address the disconnect and incorporate my more naive drawing style into my sculpting abilities. Many figures morphed into forms almost indistinguishable as human, were it not for the context that I give them amongst other figures. This process turned my figures into something more like symbols of the human form.
A symbol is simplified, stripped down to the bare essentials and touches on common denominators. In my work I strive to question ways of thinking and involve an element of the surreal.
I am fascinated with the human ability to associate and relate when reviewing abstraction. How do we read a human form from something that in reality has very few similarities to the human shape?
With a more abstract symbolic representation of the human figure I wish for more of a recognition in the emotional state of the human experience then the physical.
The relief in itself, as a format is a meeting place between the two dimensional and the three dimensional realm, and yet my sculptural endeavors took a drastic turn when I decided to address the disconnect and incorporate my more naive drawing style into my sculpting abilities. Many figures morphed into forms almost indistinguishable as human, were it not for the context that I give them amongst other figures. This process turned my figures into something more like symbols of the human form.
A symbol is simplified, stripped down to the bare essentials and touches on common denominators. In my work I strive to question ways of thinking and involve an element of the surreal.
I am fascinated with the human ability to associate and relate when reviewing abstraction. How do we read a human form from something that in reality has very few similarities to the human shape?
With a more abstract symbolic representation of the human figure I wish for more of a recognition in the emotional state of the human experience then the physical.
Education
Oslo National Academy of Art (KHiO), Master in Medium and Material Based Arts, Ceramics (2023-ongoing)
Oslo National Academy of Art (KHiO), Bachelor in Medium and Material Based Arts, Ceramics (2019-2023)
School of Visual Arts (SVA), Exchange, Fine Arts Department, (2022)
Södertörns Högskola, Kreativ wrting A (2021)
Capellagården, Ceramics (2018-2019)
Leksands Folkhögskola, Ceramics (2017-2018)
Lorenzo di Medici (LDM), Introductory to Sculpture, and Marble Stone Sculpture (2016)
Oslo National Academy of Art (KHiO), Master in Medium and Material Based Arts, Ceramics (2023-ongoing)
Oslo National Academy of Art (KHiO), Bachelor in Medium and Material Based Arts, Ceramics (2019-2023)
School of Visual Arts (SVA), Exchange, Fine Arts Department, (2022)
Södertörns Högskola, Kreativ wrting A (2021)
Capellagården, Ceramics (2018-2019)
Leksands Folkhögskola, Ceramics (2017-2018)
Lorenzo di Medici (LDM), Introductory to Sculpture, and Marble Stone Sculpture (2016)